About YOU
About YOU
About YOU
My ad school had hecklers. While some were writing web copy for MeUndies, I was in dank basements pitching jokes to drunk people (picturing them in TheirUndies).
This led to getting cast in a bunch of improv-heavy ads, where I was mostly hired to write on camera, breathe life into stiff copy, and steal granola bars.
My ad school had hecklers. While some were writing web copy for MeUndies, I was in dank basements pitching jokes to drunk people (picturing them in TheirUndies).
This led to getting cast in a bunch of improv-heavy ads, where I was mostly hired to write on camera, breathe life into stiff copy, and steal granola bars.
My ad school had hecklers. While some were writing web copy for MeUndies, I was in dank basements pitching jokes to drunk people (picturing them in TheirUndies).
This led to getting cast in a bunch of improv-heavy ads, where I was mostly hired to write on camera, breathe life into stiff copy, and steal granola bars.
I worked as a freelance CD at DDB, going from brief through production for State Farm: circling back, putting pins in things, typing “per my last email” then frantically deleting it.
I loved it, State Farm loved the work, and my ECD loved me.
I also ghostwrite treatment decks for big-name commercial directors. It’s an odd gig – impersonating the artsy middle child of agency, client, and production – but a masterclass in pitching sharp, usable ideas and getting zero credit for them.
I worked as a freelance CD at DDB, going from brief through production for State Farm: circling back, putting pins in things, typing “per my last email” then frantically deleting it.
I loved it, State Farm loved the work, and my ECD loved me.
I also ghostwrite treatment decks for big-name commercial directors. It’s an odd gig – impersonating the artsy middle child of agency, client, and production – but a masterclass in pitching sharp, usable ideas and getting zero credit for them.
I worked as a freelance CD at DDB, going from brief through production for State Farm: circling back, putting pins in things, typing “per my last email” then frantically deleting it.
I loved it, State Farm loved the work, and my ECD loved me.
I also ghostwrite treatment decks for big-name commercial directors. It’s an odd gig – impersonating the artsy middle child of agency, client, and production – but a masterclass in pitching sharp, usable ideas and getting zero credit for them.
The road less traveled has left me with a lot of skills, a lot of bills, but not much of a book. So I decided to make one. Thanks for coming, and shoot me an email if MeUndies is hiring.
The road less traveled has left me with a lot of skills, a lot of bills, but not much of a book. So I decided to make one. Thanks for coming, and shoot me an email if MeUndies is hiring.
The road less traveled has left me with a lot of skills, a lot of bills, but not much of a book. So I decided to make one. Thanks for coming, and shoot me an email if MeUndies is hiring.
Work
Work
