About YOU
About YOU
About YOU
You Want Someone Different
My ad school had hecklers. While some were writing web copy for MeUndies, I was on stage pitching ideas to drunk people (picturing them in TheirUndies).
This led to getting cast in a bunch of improv-heavy ads (notably the progressive "turning into your parents" spots), where I was essentialy hired to write on camera, and steal granola bars.
You Want Someone Different
My ad school had hecklers. While some were writing web copy for MeUndies, I was on stage pitching ideas to drunk people (picturing them in TheirUndies).
This led to getting cast in a bunch of improv-heavy ads (notably the progressive "turning into your parents" spots), where I was essentialy hired to write on camera, and steal granola bars.
You Want Someone Different
My ad school had hecklers. While some were writing web copy for MeUndies, I was on stage pitching ideas to drunk people (picturing them in TheirUndies).
This led to getting cast in a bunch of improv-heavy ads (notably the progressive "turning into your parents" spots), where I was essentialy hired to write on camera, and steal granola bars.
But Not Too Different
I ghostwrite treatment decks for big-name commercial directors. It’s an odd gig – impersonating the artsy middle child of agency, client, and production – but a masterclass in pitching sharp, makeable ideas and getting zero credit for them.
I've also non-ghost (alive-written?) as a freelance CD at DDB, going from brief through production for State Farm: circling back, putting pins in things, typing “per my last email” then deleting it. I loved the job, State Farm loved the work, and my ECD wrote this.
But Not Too Different
I ghostwrite treatment decks for big-name commercial directors. It’s an odd gig – impersonating the artsy middle child of agency, client, and production – but a masterclass in pitching sharp, makeable ideas and getting zero credit for them.
I've also non-ghost (alive-written?) as a freelance CD at DDB, going from brief through production for State Farm: circling back, putting pins in things, typing “per my last email” then deleting it. I loved the job, State Farm loved the work, and my ECD wrote this.
But Not Too Different
I ghostwrite treatment decks for big-name commercial directors. It’s an odd gig – impersonating the artsy middle child of agency, client, and production – but a masterclass in pitching sharp, makeable ideas and getting zero credit for them.
I've also non-ghost (alive-written?) as a freelance CD at DDB, going from brief through production for State Farm: circling back, putting pins in things, typing “per my last email” then deleting it. I loved the job, State Farm loved the work, and my ECD wrote this.
Who Delivers
The road less traveled has left me with more skills than most, and definitely more bills, but less of a book. So I decided to make one. Thanks for coming, and shoot me an email if MeUndies is hiring.
Who Delivers
The road less traveled has left me with more skills than most, and definitely more bills, but less of a book. So I decided to make one. Thanks for coming, and shoot me an email if MeUndies is hiring.
Who Delivers
The road less traveled has left me with more skills than most, and definitely more bills, but less of a book. So I decided to make one. Thanks for coming, and shoot me an email if MeUndies is hiring.
Work
Work
